BRIAN FERNEYHOUGH COLLECTED WRITINGS PDF

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Please contact the p ublisher re g ardin g an y further use of this work. Publisher contact information may be obtained at. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive.

We use information technology and tools to increase productivity and facilitate new forms of scholarship. Tobe fairto the. Cowell, J o h n. For m o s t o f this book whatwe. For most of this book whatwe.

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However, the w a y in which the. Kreutzers t a k e up. Ferneyhough'spieces f o r t h e. Kurze SchattenII 1 9 8 5 - 8 8 is in seven short movements; on one level it can be heard as an encyclopaedia o f guitar t e c h n i q u e s , i n c l u d i n g. T h i s i s certainlypartly audible, but temperedby many o t h e r layers o f large-scale p r o c e s s.

I f t h e predominantlygestural natureof this. T h i s piece,. I would contend that F e r n e y h o u g h ' s most successfulscoresare those which c e a r l y amount to more than the s u m of their p a r t s , and seem somehow to p o i n t b e y o n d 'the notes themselves'.

This work has to do with 'natural. The work is in two sections, each c o n t a i n i n g a violin cadenza, t h e n a p a s s a g e where the ensemble enters. T h i s tremendouslypowerful, captivating w o r k. Femeyhough u t i l i z e s differing degrees o f pre-. While the work uses the h y p e r -. F r o m a begin- n i n g w h i c h seems 'business as usual' within.

Pierrot Lunaire instrumentation,. Ferneyhough attempts to form 'characters' from s p e c i f i c v o c a l a n d instrumental combinations, within an overall sense of continual transformation. T h e t h e brass, i n contrast. Vessels of. These r e c o r d i n g s aresoonto be followed b y anNMC re-.

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ISBN 13: 9783718655762

Collected Writings. Brian Ferneyhough. Given the fact that his music is being heard with increasing frequency both on CDs and at new music festivals throughout the world, it is somewhat of an understatement to say that Brian Ferneyhough's reputation as a composer is certainly not in need of bolstering. Until now, however, Ferneyhough's writings about music, although numerous, have appeared in various languages, widely scattered and difficult, if not impossible, to find. The present collection brings together the majority of the composer's extant writings, many of them appearing here in English for the first time, along with some edited transcripts of informal talks, and a number of major interviews. Although the vast majority of the texts deal with Ferneyhough's compositions, there are others which reflect his activities as a highly influential composition teacher, and some which touch on his recent work as a poet. Together, the writings provide a fascinating and engaging means of insight into the workings of the mind of a composer whose output could be regarded as one of the most significant of this century.

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Brian Ferneyhough: Collected Writings

Hi, Carlos. Thanks for reading. Unfortunately the book is out of print and can be difficult to find. I think libraries might be your best bet in finding a copy. RSS Feed. The highly complex web of activity, decoupled staff notation, the look of his scores and the endurance required to perform his music has fascinated and puzzled me for years. What I found was one of the most rewarding books I have ever read.

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Brian Ferneyhough : Collected Writings

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Brian Ferneyhough - Collected Writings

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