BRIHAD NILA TANTRA PDF

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By Guest guest, March 19, in Shakti Sadhana. Dear Tantrapriyas, I had saved this posting in my drafts section. I forgot all about it. Iam giving below information about Brihad Nila Tantra. Tara is quite well known to the West through Her Tibetanmanifestations, but some are unaware of the important position She occupies in the Hindu tantrik pantheon.

She is the second of the ten Mahavidyas. The other aspects are Vishnu and Mahesh -- all three symbolised in the three heads of Lord Dattatreya, patron guru of the Natha tradition. Some have attempted to separate the Hindu Tara from the Tibetan Tara,but there is little doubt that She is the same Devi. This is shown.

Here Tara takes her form as Kurukulla. Nilasarasvati gives as the fruit of worshipping Her poesy and eloquence. She has an important role in Tantrik cosmology because mantra, words, music are considered to be the very source of the cosmos.

This has been expressed in a Tantrik form, but, practically speaking, it is sufficient to say that much hypnosis Maya comes about via the medium of words. Millions of people have lost their lives through this power.

Thus Her power and place in the Tantrik pantheon is quite justified, and Her mantra is described as a Siddha-Vidya, the cause of Maya and. Bhairava states that this tantra is the secret of all secrets and revealing it will cause lack of sccess.

Having it in one's home is like having Lakshmi, the goddess of wealth. It protects against. It is the king of all tantras and is the core of the quintessence. Bhairava summarises its contents, which include daily worship puja , the king of mantras, the rules of puja and preparation of its mantra, optional and occasional rites, the secrets of magical restraint, the rules of Kumari worship puja , hymns, meditations, how to become eloquent, rites of sacrifice homa , the attainment of poesy, the secret sadhana, the secret mantra, alchemy, preparation of miraculous ashes bhasma and everything related to the six magical acts satkarma.

Bhairava deals with the Devi Tarini, which he says is a siddha vidya, causing Maya and englamouring. This vidya is said to be the heart of Nila Sarasvati. Its appliction is the attainment of poesy. It is to be pronounced facing north and meditated on as being like a lotus fibre extending from the base of the spine to the 1, petal lotus, like ten million fires, suns and moons.

Next the rules of bathing in the morning are described. Offering must be given to the rising sun. Then the gayatri or twilight mantra of Tarini should be pronounced, which is given as: Tarayai vidmahe mahograyai dhimahi tanno devi prachodayat.

Chapter Two This covers the daily puja of Nila Sarasvati, in the usual way. It should be done in isolated places including cremation grounds, hills and forests.

This puja also appears in the Todala Tantra, translated as part of the Magic of Kali. Chapter Three Describes. Chapter Four Contains a description of purashcharana, the method of preparing a mantra so that it becomes successful.

Tara's rosary is made of human bone and must be purified and made carefully. Chapter Five Optional rites are the topic of this chapter, as well as the pithas or sacred spots. Kamarupa, where. Chapter Six Covers Kumari Puja, the worship of a maiden. This is preceded by an offering to jackals, implying that the rite takes place in the cremation ground shmashana.

As in the Kulachadamani Tantra, there is reference to the eight Kula trees, which must also receive their share of worship. A day is the same as a year. Wine must be used when. Chapter Seven Covers the satkarma, or six magical acts, as well as worship of the kumaris. A most interesting section deals with Maha China Krama, which is, essentially left hand tantra vamachara. The rule here is that of Svecchachara, the path of acting according to one's own will.

In this, there is no need for external worship. All can be performed mentally. There are no rules as to the time the puja should be performed, no rules about the place, no need for preparation. The conjunction of. During intercourse, the partners should mentally recite the Tara mantra.

It should be performed in the cremation ground. Chapter Eight Describes the yantra of Tara see above. In the centre she and Mahakala are in sexual union. The yantra should be engraved on copper, smeared with kundagola and svayambhu flowers menstrual blood and scents including camphor.

The practitioner meditates in the heart on Tarini and then draws her, by vital breath, using a flower, into the centre of the yantra.

Chapter Nine Heroic worship is the subject of this chapter, which I have translated on the site. Vira Sadhana. Chapter Ten Continues the subject of the previous chapter and expands on Lata Sadhana creeper sadhana , a synonym for sexual worship. Ugra Tara's seventeeen letter mantra is Om padme mahapadme padmavati maye svaha. Chapter Twelve The origin of Tarini is the subject of the chapter.

She was created by Mahakali to destroy the demons and bring the gods back to their former position. Chapter Thirteen This chapter covers the worship of. Mahakali and has been translated in full in the Magic of Kali. Chapter Fourteen Kamakhya and Tripura worship.

The devi Kamakhya dwells at Kamarupa and has a yantra wherein the 64 yoginis receive honour. Tripura's mantra is Aim Klim Sauh, and the tantra says that she represents the triple Kundalini, her puja being triple in every way. Chapter Fifteen A geographical. Chapter Sixteen This chapter outlines the specific festivals of Tara and the things to be done during the twelve solar months, as well as the kinds of offerings which please the goddess.

Chapter Seventeen Outlines and continues details about worshipping Kali. Her favourite time is on the fourteenth day of the dark moon in the month of Kartik, when she should be worshipped at night. The dhyana meditation image of Kali is described with details of the types of pits in which to. This chapter also gives puja details of Sandhya Twilight Devi. Chapter Eighteen The thousand names of Tara.

Chapter Nineteen The armour and the secret mantra of Tara are described. Chapter Twenty The hundred names of Tara.

Chapter Twenty-One A most interesting chapter which deals with alchemy. Copper and lead can be turned. Adepts can create a powerful, magical ash which creates miracles. The chapter also describes the divya celestial , vira heroic and pashu beast-like characteristics of tantrik practitioners. Chapter Twenty-Two The 1, names of Kali. Chapter Twenty-Three The hundred names of Kali. You are posting as a guest. If you have an account, sign in now to post with your account.

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Posted March 19, Thus Her power and place in the Tantrik pantheon is quite justified, and Her mantra is described as a Siddha-Vidya, the cause of Maya and Englamouring.

It protects against all misfortunes and its specific virtue is that through it a person can become a miracle worker. Firstly, Bhairava deals with the Devi Tarini, which he says is a siddha vidya, causing Maya and englamouring. Again, a sadhaka should face north, visualising the guru in the 1, petal lotus.

Chapter Three Describes initiation and the characteristics of guru and disciple, as well as the right times for performing initiation diksha.

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tara brihad nila tantra.doc

By Guest guest, March 19, in Shakti Sadhana. Dear Tantrapriyas, I had saved this posting in my drafts section. I forgot all about it. Iam giving below information about Brihad Nila Tantra. Tara is quite well known to the West through Her Tibetanmanifestations, but some are unaware of the important position She occupies in the Hindu tantrik pantheon.

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Brihad Nila Tantra

Listen, O Devi, I will speak concisely of the essence of yoga. The body resembles a tree, with the root above and the branches below. In the macrocosm there are tirthas bathing places which also exist in the body. The macrocosm is like the microcosm. What do you think these words stand for? Do they incite fear or abhorrence in you?

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Embed Size px x x x x Tara is quite well known to the West through Her Tibetan manifestations, but some are unaware of theimportant position She occupies in the Hindu tantrik pantheon. She is the second of the ten Mahavidyas. The maor sources used on this page are an important!

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