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Caosmosis by Felix Guattari
Mutating ecologies in contemporary art: publication project. What role might art exert in light of the challenges posed by climate change, resource depletion, and the diverse political and cultural crises our societies face in the twenty-first century? Because capitalism is no longer understood merely as a mode of production but as a system of semiotization, homogenization, and of transmission of forms of power over goods, labour and individuals, only the emergence of other relational subjective formations would be able to counteract the fixation of desire towards capital and its diverse crystallizations of power. New social practices, new aesthetic practices and new practices of the self in relation to the other are summoned to undertake an ethical-political reinvention of life. As Guattari argues, it is about reappropiating universes of value and paving the way for the emergence of processes of singularization involving a mutating subjectivity, a mutating socius, and a mutating environment.
He founded both schizoanalysis and ecosophy , and is best known for his intellectual collaborations with Gilles Deleuze , most notably Anti-Oedipus and A Thousand Plateaus , the two volumes of Capitalism and Schizophrenia. Guattari was born in Villeneuve-les-Sablons, a working-class suburb of north-west Paris , France. Subsequently, he worked all his life at the experimental psychiatric clinic of La Borde under the direction of Lacan's pupil, the psychiatrist Jean Oury. La Borde was a venue for conversation among many students of philosophy, psychology, ethnology, and social work. In contrast to the Freudian school's individualistic style of analysis , this practice studied the dynamics of several subjects in complex interaction; it led Guattari into a broader philosophical exploration of, and political engagement with, a vast array of intellectual and cultural domains philosophy , ethnology , linguistics , architecture , etc. Guattari also took part in the G.
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