We don't often ask for money. Just twice a year. This is one of those times. So, please, before you hit the "close" button on this box, would you consider a donation to keep Hymnary. In April , according to Google Analytics, our Hymnary website had roughly 1.
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We don't often ask for money. Just twice a year. This is one of those times. So, please, before you hit the "close" button on this box, would you consider a donation to keep Hymnary. In April , according to Google Analytics, our Hymnary website had roughly 1. And what a blessing! But it is expensive to serve all of these people -- worship leaders, hymnologists, hymn lovers and more -- people like you who love hymns.
And we have limited sources of revenue. This fund drive is one critical source. So if you benefit from Hymnary. Even small amounts help, and they also let us know you're behind us and support what we do. You can make your tax-deductible contribution by sending a check to Hymnary. On behalf of the entire Hymnary. Skip to main content. Click here to donate to Hymnary. Please don't show this to me again this fund drive. Home Page. Composer: Sethus Calvesius no biographical information available about Sethus Calvesius.
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Heut triumphieret Gottes Sohn
As organist at Weimar, Johann Sebastian Bach was charged with providing a harmonic underpinning for the singing of Lutheran chorale tunes chosen for each day. Bach wrote out many of these harmonizations, in part as instruction for younger composers they are still used for this purpose. A derivation of this practice, Bach 's conception of the organ chorale, as manifested in the chorale preludes, dates from , about the time he became familiar with Vivaldi 's concertos. These were very original compositions, highly expressive miniatures based on a chorale melody, supported with refined counterpoint, and featuring highly condensed motivic writing. In Bach 's manuscript, pages with finished pieces alternate with blank ones intended for other chorale preludes. The later pieces differ from Bach 's earlier chorale elaborations, in that they contain only one statement of the melody and are intended to demonstrate how to accompany a chorale with contrapuntally proper figurations that support the meaning of the text.